Biturbo!, Capt'n, by Big Bad Brötzmann Trio

Biturbo!, Capt'n

by Big Bad Brötzmann Trio

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Ol' Capt'n (Biturbo Kings) 14:43

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Biturbo!, Capt'n was originally released in 2019 as a mini CD. You can buy it here: www.euphorium.de/rubriken/records/biturbo.htm

DESCRIPTION:
Once again EUPHORIUM sets another paradisian debut of musical collaboration: On October 7th 2017 Peter Brötzmann and Christian Lillinger are performing for the first time together. Biturbo!, Capt'n documents their first audible touch. EUPHORIUM mastermind Oliver Schwerdt had decided to continue working on the classical free jazz format of both a bass-less trio with reeds/piano/drums and an extension of that trio with a pair of double basses. While his companion since 2006, old-GDR-hero Ernst-Ludwig Petrowsky retired in 2016, Schwerdt just hired Peter Brötzmann, the West-German counterpart, former friend and maybe ancient influencer of "Luten". The result is a complex of full forced energy struts and multiplied situations of filigreed sounds. The youngsters which do their bilateral exercices since 2006 really kick the old captain into a grand breath of the free jazz avantgarde.

Als am 7. Oktober 2017 Peter Brötzmann das mit Ernst-Ludwig "Luten" Petrowsky aufgebaute Trio- und Quintett-Spiel (Höre vgl. EUPHORIUM-Records-Veröffentlichungen "White Power Blues" (2008), "Short Night" (2013) sowie das Doppel-Tryptichon "Tumult!"/"Krawall!"/"Rabatz!" (2013-15) bzw. "Radau!"/"Rabatz!"/"Remmidemmi!" (2015)) fortzusetzen sich anschickt, gestatte ich mir als Eröffnung des Abends, sowohl systematisch geschickt wie historisch informiert, die transparentere Interaktion im basslosen Trio-Format - Erstbegegnung Brötzmann und Lillinger! Es ist unfassbar, was sich da als Klassik des Free Jazz aktuell ausspricht. Schwerdt, der seinen Elan Pauer nun bürgerlich angemeldet hat, und Lillinger geben auf beiden Seiten, in ihrem Biturbo-Zauberstab, Dampf für den Alten, der sich als Kapitän die Mütze aufsetzt. Herzlichen Glückwunsch, dass es das noch gibt und geben darf! Hier, im Schwelgen von Körper, Feier, Kraft, Hymnus, Rhythmus, Tempo, Überschwang, feiert sich der Vitalismus selbst. Die diffizile Technik wird im gedrängten Gestus zur Kunst gemacht.

credits

released December 14, 2019

PERSONNEL:
Peter Brötzmann - tenor sax, clarinet
Oliver Schwerdt - grand piano, percussion, little instruments
Christian Lillinger - drums, cymbals, percussion

REVIEWS:
Very expressive and fresh.
Dolf Mulder, Vital Weekly

Ein Strom, ein Strudel, ein Vulkan, ein Naturereignis mit den Seelen von Generationen...
Bert Noglik

RECORDED by Marco Birkner on 7th october 2017 at naTo/Leipzig
MIXED & MASTERED by Gilbert Eiche
FOTOGRAPHED by Ingrid Hoberg
DESIGNED by Oliver Schwerdt
PRODUCED by Oliver Schwerdt

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